Performance Coach
Preparation for Competitions, Performances
and Auditions
I have had the distinct pleasure to assist musicians from many different cultures to prepare for competitions, performances and auditions. My students have achieved personal and professional success by performing at their highest level and often placing first in competitions and auditions They now perform with prestigious ensembles including the National Symphony Orchestra (Taiwan), Taipei Symphony Orchestra (Taiwan), National Opera and Ballet Orchestra in Zagreb (Croatia), Samsun State Opera and Ballet (Turkey), and Bilkent Symphony Orchestra (Turkey).
As a Performance Coach, I assist musicians by helping them access their inner resources in order to reach their full potential. Each performer is unique in that they incorporate a different set of experiences into their interpretation and presentation. A performer can 'reach' their audience only when they truly believe in both themselves and the work they are presenting. My role as a coach is to assist performers to clarify their musical choices, link them together into a cohesive interpretation, and present this interpretation with confidence and precision.
​
TESTIMONIALS
​​
Mezzo Soprano - Berna Anil-Ozkurt
​
Working as a soloist with Ivan Arion Karst on five different projects has been an immensely enriching experience for me, both artistically and personally. Karst is a conductor who elevates the artistic depth of every project through his musical vision, attention to detail, and meticulous rehearsal approach. Under his direction, I have grown not only technically but also emotionally and interpretatively. His deep respect and passion for each piece create an atmosphere that inspires and unites the entire ensemble.
​
His working method is both constructive and inspiring. In rehearsals, he maintains a clear, decisive yet open-minded attitude, valuing each musician’s contribution and thoughtfully considering every idea. This balance fosters an environment that is both disciplined and creatively engaging. His approach to challenging repertoire is as analytical as it is intuitive—his command of detail never compromises his awareness of the broader musical picture. Each time, we worked toward performances that were not only accurate but deeply meaningful and alive. For a soloist, this is a rare privilege and a true joy.
​
As a person, he is genuinely kind, humble, and reassuring. His communication with the entire team is always marked by sincerity and respect. Even in high-pressure moments, his calm and positive presence uplifts those around him. These qualities make him not only a remarkable music director but also a true leader. Working with him has been an unforgettable privilege, both professionally and personally.
​​​​
​
Soprano - Cansu BaÅŸ
​
I am Cansu BaÅŸ, an opera singer at the Samsun State Opera and Ballet. I have performed concerts in many cities across Turkey. I have sung the roles of Contessa in Le Nozze di Figaro, Frau Fluth in Die Lustigen Weiber von Windsor, Bihter in Ask-Memnu, Berta in Il Barbiere di Siviglia, Setaret in Kanli Nigar, Mimi in La Boheme, Zelda in Singin' in the Rain, and Laurette in Dr. Miracle.
​
At the Istanbul Music Festival, I performed period Baroque and Ottoman Palace music with a guest orchestra from Berlin. I had the honor of singing the soprano part in Dvorak's magnificent Stabat Mater under the baton of the esteemed Maestro Ivan Arion Karst. We rehearsed this worj together oiiver the course of approxinmately five days.One of the main reasons I was able to sing it with such peace and heart was Maestro Karst himself. He patiently worked through every part with each soloist abnd musician. He is not only disciplined and understanding but also a conductor with truly a masterful touch. I sincerely hope to collaborate with him again - whether on the same piece or in another project.
​​​​​​
​
Conductor/ Commercial Pilot - Sercan GündoÄŸdu
​
I’m a Commercial Pilot and Certified Flight Instructor currently based in Denver, Colorado, but before transitioning to aviation, I earned both my Bachelor’s and Master’s degrees in Music Composition and Orchestral Conducting. During that time, I had the privilege of studying under Mr. Karst in various settings, including auditing classes, taking private lessons, and preparing for auditions.
​
Mr. Karst played a pivotal role in my development as a conductor. His teaching was always thoughtful, structured, and deeply insightful. Beyond technique, he taught me how to truly communicate through gesture and understand the full architecture of a score. Whether it was working on baton technique, rehearsal strategy, or score analysis, Mr. Karst's feedback was always precise and constructive.
​
I still carry many of the lessons I learned from him. Not only in music but also in how I approach teaching and leadership in my current career. His mentorship helped prepare me for my graduate degree and built a strong foundation for my work as a musician and beyond.